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When he vows to change his ways on "I'm Gonna Start Today," he sounds as if he's trying to convince himself as much as his lover. When he sings "Don't Want To Be a Fool," you can hear him weighing the promise of new love against the wounds of past betrayals. Vandross is only a so-so lyricist, but he takes the familiar plots of love songs and makes them brand new with the inflections of his voice. Instead he goes for a subtler, more restrained approach that shifts the focus back to the stories he's telling. On his new album, Vandross downplays the bravura vocal fireworks that won him his reputation. Vandross deserves these comparisons, because he's one of the greatest singers of the modern era. This is the classic human dilemma, and Vandross captures the fears and hopes involved with the vivid credibility of a Marvin Gaye, an Al Green or a Van Morrison. In his best performances, the character Vandross plays has just been roused by a romantic opportunity but finds himself suspended between possible bliss and potential disaster. Love is never a sure thing in Vandross's songs.
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These imitators pander to the audience with reassuring fantasies about love as a sure thing. Listen to Downing's "A Dream Fulfilled," "Omar Chandler" or Washington's "Make Time for Love," and you'll hear spectacular voices that sound as hollow as the platitudes they're singing. Vandross's imitators make the mistake of giving us romantic fantasies instead of real-life romantic experience. Vandross's goal is nothing less than re-creating emotions with such intensity and such clarity that we can't help but reconsider those feelings in the wake of his songs. That's because Vandross's powerhouse tenor and flamboyant vocal technique are just means to an end for him, while vocal skill is an end in itself for his imitators. Listen to the recent albums by Freddie Jackson, Will Downing, Omar Chandler, Keith Washington, Peabo Bryson and Phil Perry and what do you hear? Studied imitations of Vandross's trademark purrs, octave climbs and rounded tone.Īs good as these impersonations are, none of them approaches the thrilling art of Vandross's new album, "Power of Love" (Epic), his first collection of new songs in three years.
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#Luther vandross songs life license
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.You hear Luther Vandross's voice everywhere these days - and not merely on his own recordings. User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL. Luther Vandross is an icon still today in the world of R&B and American Soul music. He won four Grammy awards in 2004 including the Grammy Award for Song of the Year for the track 'Dance With My Father,' co-written with Richard Marx. Luther suffered a stroke in 2003, from which he never really recovered, and he passed away on 1st of July 2005.ĭuring his career, Vandross sold 25 million albums and won eight Grammy awards including Best Male R&B Vocal Performance four times. It was an ongoing battle with his weight that may have ultimately proved his undoing. In the 90's he was probably more famous for duets with Janet Jackson and Mariah Carey, among others.
#Luther vandross songs life plus
In the 80's Luther became an R&B icon with such releases as 'Never too Much', 'Power of Love', 'If only for One Night', 'Here and Now', plus many others. In the 80's a vocalist on early Change singles (Searching) continuing a solo career that perhaps never realized its true potential. Luther Ronzoni Vandross (ApJuly 1, 2005) was an American Soul and R&B singer.Ī formidable artiste whose career spanned four decades- 70's (as backing singer to David Bowie's Young Americans) and Chic, as well as his own explosion on the decades music with 'Superstar, A House is not a Home'.